Digital and Cyber Literature

 Digital and cyber literature represent the new frontiers of literary creativity and analysis. As literature moves from print to screen, new genres, forms, and modes of reading emerge—interactive fiction, hypertext narratives, AI-generated poetry, and immersive storytelling redefine what we mean by a “text.” For comparative literature, these developments open up rich possibilities to study digital narratives across languages and cultures.

Cyber literature challenges the author-reader dynamic, inviting participatory engagement and nonlinear storytelling. It also reflects the digital zeitgeist—issues of identity, surveillance, virtuality, and connectivity. As literature migrates online, the boundaries between author, text, and audience blur, transforming the aesthetics of literary production.

This theme welcomes chapters that explore how digital and cyber literatures reshape comparative practices. How do digital texts negotiate themes of globalization, hybridity, or interactivity? What are the implications of AI-authored works for comparative criticism? How do digital archives or web-based publications influence global literary dissemination?

Contributors are encouraged to address the ethics, aesthetics, and technological dimensions of digital creativity. By examining these digital narratives through comparative lenses, scholars can illuminate how technology reinvents storytelling and challenges the conventions of world literature.

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